After the Tracey Emin exhibition, we headed over to the Máret Ánne Sara installation in the Turbine Hall. We both agreed that this was a much more relaxing, less taxing experience.

We took the opportunity to sit on the reindeer skins and just chat for a while. It felt completely different from the previous exhibition (calm and quiet) and it wasn’t so busy that you were being jostled. It was a much-needed antidote.