6 lenses + 7 flash options + 8 films = 336 different combinations. YIKES!

So we took 336 photos with every possible combination of the Hipstamatic arsenal. (Because we love you.) And we even broken it down into an easy guide to tell you which combos go together.

This is a really fantastic resource for anyone using hipstamatic. Well labelled samples of all the combinations and suggestions of what works well in what circumstances. Fantastic!

A few weeks ago I briefly mentioned hipstamatic and said I'd come back to it. Well, here I am and I have to say I love this application. It makes iPhone photography so much fun. The interface is lovely, especially changing the lens (see this video for an idea, but do turn the sound down - the song is frightful) and the upload to flickr feature (new to version 150) works really nicely, even doing some basic tagging for me.

My original concerns were, as I posted last time:

Up until now I've liked taking the photos on a "normal" camera application and applying filters afterwards - this is a change as I'll have to get it right first time.

Getting it right first time is no bad thing to get used to, and it goes along with my recent thoughts about creativity through limitations. I am trying to get into the habit of visualising the resulting image first, and then taking the photo, and given the time that the app needs to develop the image this is a good habit to get in to. I'm still definitely practicing this technique, but I'm hopeful that the improvements will be visible across any medium I photograph in - whether I'm using an iPhone, a DSLR, Mum's old Balda Baldiexette or any of the other film cameras which I own.

I do still use the normal iPhone camera sometimes, and if I'm indoors, or its dark, then I'll use night camera almost exclusively and combine it with one of the editing packages I mentioned last time (still exclusively on the iPhone though). I've enjoyed getting familiar with the different lens and film options (and I've bought all the hipstapaks), but definitely have a preference (at least at the moment) for the John S lens which I love for its vibrant colours and mottled age effect.

The photo above is my most interesting hipstamatic photo (according to the flickr interesting algorithm) but feel free to take a look at the rest of my hipstamatic photos on flickr.

Some additional sample photos:

Spotted via iPhoneography over the weekend.

This slide set, from the PMA 2010 keynote, gives an insight into just how impressive the imagery from an iPhone can be in the right hands. New York based iPhoneographer Sion Fullana is definitely one set of these right hands. His flickr stream provides more inspiration should you need it, and it is also very well labelled with what applications have been used to process the photos to help with application choice.

In recent weeks, I have found myself using my iPhone more and more to take photographs, admittedly this is partially to do with the fact that I still have about 800 unprocessed photos from my recent holiday and the backlog is draining, but none the less, I'm still absolutely loving the creativity offered by hipstamatic.

This morning I took the dog out for a walk and was struck by the quality of the light. Golden light shone off all the buildings, and everything looked clean.

This photo was taken at around 7:20am (the EXIF says 1pm or so but that is when it was uploaded via the iPhone flickr app), a time when even just a week ago the sun wouldn't have risen. In fact, the sun apparently only rose at 7:13am today, so this truly was the golden hour.

It was a beautiful time to be out and about on the Brighton seafront and the recently restored bandstand stood out against the still blue sea and the blue sky looking magnificent.

 

7 Tips to Better iPhoneography: by Jeremy Edwards

 

Since the birth of my FROM THE POCKET project in late 2009, I have received several emails from fellow iphoneographers - many of which want to know the applications I use for processing, capturing techniques, subject choices, and so on. As we all know, iphoneography is a rapidly growing artisitic medium, and with that, comes the introduction of new artists and iphoneographers alike. The art and design world is slow to accept iphoneography as a true expression of art - however, we are seeing that iphoneographers who are true artists beginning to alter this interpretation. Just like any new form of art, iphoneography needs to grow and establish artistic legitimacy. There are those who simply take pictures with their iPhone, and those who employ the iPhone as an artistic tool.

This article is directed at my fellow and aspiring iphoneographers who want to better their iphoneography experience and artfully improve their images. Below, I have listed 7 simple tips to better your iphoneography. This will not be a source of suggesting applications you should be using to process images, or how you should hold the iPhone, or how to make your images look "more analog". My intentions are to provide artful insight into bettering your iphoneography.

1. Embrace the limitations of the iPhone camera. There's only so much the iPhone camera can do. Become overly familiar with what it can and cannot do from a photographic perspective. Learn how it treats light, shadows, and movement. Just like film or advanced digital photography, do not force the camera to do something it simply cannot do, and then rely on your post-processing to fix it. This is a poor approach to solid photography. The best photography doesn't have to be a product of the best cameras.

2. Commit to your subjects. If you are inspired by a photo-op, commit to it, spend a few seconds assuring that what you capture is what inspired you in the first place. Believe it or not, it's okay to miss opportunities - merely capturing images for the sake of making up for a missed opportunity, does not necessarily equal a beautiful image. Some of my best images came from just standing around and waiting. Find the subjects (i.e. portraits, ordinary, street, landscapes) that inspire you and commit to capturing the perfect moment. Remember, quality is always better than quantity.

3. Fine tune your style of spontaneity. Photographers are infamous for being spontaneous and having "off-the-cuff" personalities. Because the iPhone offers a discrete method of capturing images, it also allows you to be truly spontaneous in ways you've never experienced. For me, my creative capacity relies on having absolutely no barriers to what I can shoot. If you are someone who creates best from having predictable subjects, then stay true to that style of spontaneity.

4. Do not"over-app", or "over-edit" your images. This is probably the most important tip I can offer to any iphoneographer. I could write an entire article on this tip alone. I see hundreds of iphone images a day. Many are wonderfully done, and many are simply junk. Please remember this: just because the iPhone offers you endless applications to edit your images and make them "look better", does not mean you have to use them all. If you take pictures of everything you see with the mindset that your post-app processing will make the image "better" - you're on the wrong path. It's not artful. It's alteration and superficial. Also, the more you edit, the more likely your image will blur and over-pixelate - which leads to poor images that have little aesthetic beauty.

5. Create projects. Try to organize your iphoneography subjects into mini-projects -just as you would do with a professional photography portfolio. This offers creative structure to what you shoot on a daily basis. It's very easy to find yourself shooting everything from coffee cups to sunrises to reflective puddles and everything in between. Your viewers should be able to navigate your portfolio and have a sense of anticipation when it comes to your choice of subjects.

6. Explore the available software and find what works best for you. In my iphoneography "camera bag" - on a daily basis, I only use 4 different applications to post-process. I've made a rule to not spend any more than 10 minutes editing any image. If you have a basket full of choices, the chances are you will over-app and ruin the roots of the image. Learn your favorite applications well and know their limits. Remind yourself of these three things when processing - why did I take this picture? will this app help it or ruin it? and is it really necessary? Don't become a filter photographer.

7. Keep it artful. This is the theme and purpose of this article. Because your iPhone has the capabilities of altering an image a thousand different ways, doesn't mean you forfeit the general rules of artful photography - composition, managing light, focus, and subject choice. What you shoot will always be better than how you shoot it. Your subject should be able to stand on it's own as a piece of photographic art - it's up to you to do it beautifully with artistic integrity.

If you feel this article is helpful, please reblog. Because, in the end, better photography is beneficial to all of us. Your comments and suggestions are welcomed via email.

-Jeremy
[FROM THE POCKET]

As a recent iPhone camera user I found this article interesting and inspiring. Quite a bit of food for thought for me, and interesting that a recurrent theme over a few articles I've read recently is about having a project. I'm still working on defining myself a project for the next few months - this isn't something I've done before so I'm not sure how long to give myself to achieve it. All ideas gratefully received.

Alex and I were discussing creativity the other day and discussing if limitiations (self-imposed or otherwise) enhanced creativity or not. We decided that it could do. We weren't specifically talking about photography, but that is how I've chosen to apply it.

Today as I was walking the dog I spotted this hat on a post and thought it would make a great photo. I had 3 photo taking tools with me - a Pentax PC-33, an Olympus AM-100 and my iPhone. I decided to use the iPhone and to visualise what I wanted from the photo before deciding which application to use. I knew that I wanted to emphasize the colour of the hat, and I wanted to draw the green on the hat into the green of the field. I took 2 photos using the standard iPhone camera (one of them was later used to produce this black and white version which looks poor in comparison to this one) and then decided to use hipstamatic. I'm still getting to grips with this application and haven't completely got it clear in my head about which lens and film combinations give the look I'm after, and the process of changing lenses and films in the application slows down the process quite a bit which gives time to consider and compose (a practice that normal digital photography has taken away from me a bit). I did remember though that earlier in the week the John S lens had given some really vibrant colours and a great vignette. This came pretty close to what I was aiming for, and what I saw in my minds eye.

I'm currently trying to think of a couple of personal photography projects to work on, and I think one of them may be to do with composition, and getting more photos to match the picture that I visualise.