Jane Dallaway

Jane Dallaway

Jane Dallaway  //  Service Delivery manager, photographer, dog owner, gardener, reader, learner, software developer and occasional snowboarder

This blog contains all sorts of bits and bobs, from development related stuff, through process and productivity stuff, to photography stuff, and general inspiration things. It's a bit all over the place with no real theme, but then so am I

Email: jane @ dallaway.com
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How Twitter helps a small bookstore thrive - O'Reilly Radar

She emphasizes the importance of putting your personality into it and being interesting because that's who you are, not because you want to draw followers for the sake of a higher number. And she adds, "The strategy is to make people feel included not excluded, to make them feel part of your world.

This has been on my toblogabout list since Christmas time when I finally got through my instapaper backlog. It interested me because, to me, it shows the value of authenticity to the brand being represented. If you have someone manning your twitter account for you, it's hard to get that level of connection that is described in this article as well as to maintain consistent tone of voice, language style etc. Twitter may only allow 140 characters to be used, but I suspect that's still enough to need tone/style guides.

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Technological change: The last Kodak moment? | The Economist

Bad luck played a role, too. Kodak thought that the thousands of chemicals its researchers had created for use in film might instead be turned into drugs. But its pharmaceutical operations fizzled, and were sold in the 1990s.

Fujifilm diversified more successfully. Film is a bit like skin: both contain collagen. Just as photos fade because of oxidation, cosmetics firms would like you to think that skin is preserved with anti-oxidants. In Fujifilm’s library of 200,000 chemical compounds, some 4,000 are related to anti-oxidants. So the company launched a line of cosmetics, called Astalift, which is sold in Asia and is being launched in Europe this year.

And so Kodak has filed for bankruptcy. And I feel sad about it. But it's just another big company. I think I'm attached to Kodak though because my first ever camera was a Kodak instamatic taking 1190 film (I still have it incidentally)

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Why In-Person Socializing Is A Mandatory To-Do Item | Fast Company

humans have evolved over many, many years to be very efficient at working with, arguing with, and talking over ideas and pursuits with people, face-to-face. Social networking tools and remote technology is nowhere near as efficient (yet)

Quite an interesting article, with some good points. Like many things, it's all (for me at least) about a balance

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Article: Gift a memory

Anwita explains, "My work is an investigation into how old objects can perpetuate memories. I write biographies by imprinting memories in the form of photographs, letters and writings onto personalised objects, using hand screen printing and embroidery. These objects then become part of an installation."

She believes, "Storytelling is an inseparable bond that brings together generations - a bond that creates a feeling of oneness and belonging."

I'm still trying to shape what the memory book for Mum should actually be, so seeking inspiration from all who are doing/have done memory jogging projects

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The New Value of Text and Everything is the same only different

Just catching up on instapaper'd articles and came across a couple of James Bridle articles with bits I want to refer back to, share and annotate, so I've merged two blog posts together.

From The new value of text:

Text lasts. It’s not platform-dependant, you don’t just get it from one source, read it in one place, understand it in one way. It is not dependent on technology: it is what we make technology out of. Code is text, it is the fundamental nature of technology

and

we are terrified that in the digital age, people are constantly distracted. That they’re shallower, lazier, more dazzled. If they are, then the text is not speaking clearly enough. We are not speaking clearly enough. Like over-stuffed attendees at a dull banquet, the mind wanders. We are terrified that people are dumbing down, and so we provide them with ever dumber entertainment. We sell them ever greater distractions, hoping to dazzle them further.

From Everything is the same only different:

when I talk about “books”, I don’t mean ‘ebooks’ or ‘bound books’ or any division thereof: I’m talking about something written down and transmitted. When we talk about how we feel about and interact with music now we don’t have to specify whether it’s MP3 or vinyl in most contexts. That’s not really what the discussion is about.

The reason this needs to be clear is because when we ask what is different about digital books, what we are asking is what existing qualities of the book digital enhances.

and

as publishers race to the bottom to produce ever cheaper editions, and with that a range of formatting and proofing problems arise, further damaging the reputation of the book. These can be resolved instead of increased through digital, through better workflows, linked content and more openness to feedback.

As usual, I found myself nodding along to most of the points, and taking away some more threads to think on. I've been conciously trying to change my viewpoint based on "Ask not what is the future of the book, instead ask what is the future of reading" to consider the reading as the activity and not getting hung up on the delivery mechanism and to think, basically, about the text. Or the concepts behind the text.

And he's spot on about the quality of the text provided in (some) digital books. I recently read Quick, Let's Get Out of Here to my Mum and, as I said in my Goodreads review

I was, however, frustrated by some of the spelling mistakes in the kindle ebook version - I find this annoying in a print book, but inexcusable in an ebook.

You see, I don't understand why revisions can't be made to ensure that a ebook is the best it can possibly be. Actually, I do understand it from a publishers perspective, once the ebook is in the store, then it's moved from a delivery phase to a support phase (using technical project speak) and no longer gets much attention, but, why should the next person who comes along to buy the book not benefit from a feedback mechanism about spelling/formatting mistakes and get a version that is improved (with would surely lead to better reviews etc). I know, a simplistic view that ignores the complexity of the matter. But for me, t's not about the way the text is displayed, be it on paper, or digitally, or whatever, it's about making my experience of reading that text a good one, of enabling me to engage with it (or the thoughts behind it) without being jarred out of my "happy reading place" by a badly encoded accent etc

As for digital distraction, I do get distracted easily, when I'm in the mindset to be. If I'm consuming a twitter feed then I will pop off all over the place following links, some of which I'll flag to read properly later. If I'm reading within the context of my kindle, then I'm usually pretty focussed on what I'm reading and don't get distracted other than within the text I'm reading (following footnotes etc) or with thoughts provoked by the text I'm consuming. The same goes for reading instapaper'd articles, whether on the kindle or through the iPhone app, I've usually already quickly skimmed the article and decided I want to read it, so when I start reading it, I'm commited to reading it. And it is all about commitment. With a side-helping of opportunity. The opportunity to sit down somewhere quietly and focus.

Anyway, as I say, more things to think about. It's an interesting time in the life of text. It feels like we're surrounded by more text than ever before, at least some of which has been made available by the internet (whether that's web pages, ebooks or just the accessibility of out-of-stock/rare books that the local bookstore can't/doesn't stock) and that thought pleases me.

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HP & Condé Nast - Soon you'll be able to print Magazines at home. Umm, but why?

Condé Nast magazines like Wired, Details, Epicurious, Glamour, Allure, Golf Digest etc. will be “delivered” to people’s personal HP web printers so that they can presumably read them without having to go to the magazine stand. This is real! You schedule when you want to read the mags and your HP printer starts spitting out the pages.

(via gizmodo after a conversation with Dave)

“Our work with Condé Nast creates a new channel for customers to access the content they want from some of their favorite publications,” said Stephen Nigro, senior vice president, Inkjet and Web Solutions, Imaging and Printing Group, HP. “And, when coupled with our scheduled delivery service, allows customers to get the content they want, whenever they want it.”

With scheduled delivery to HP web-connected printers using HP print tools, publishers can reach readers more frequently than with print magazines and more tangibly than via email.

via HP's press release which goes on to say
HP Instant Ink delivers Original HP Ink cartridges to the home or office when needed. Users may receive up to 50 percent annual savings on ink cartridge purchases for one low monthly fee. Subscriptions for HP Instant Ink will be available from $5.99 to $10.99 per month depending on the product line, plus all cartridge shipping is included.

This seems to me to be a backwards step - print out magazine content on (probably) sub-standard paper, with (probably) sub-standard ink and bind it together in a (probably) sub-standard binding although on a schedule that I (notionally) choose, with content I (notionally) choose *. A lot of this seems to all be about selling ink, something that seems to be backed up by this HP Instant Ink subscription package.

* - I haven't yet tracked down pricing models from Condé Nast for getting the content, or how configurable that magazine schedule will be.

I'm not sure that the magazine market has really worked out what it's doing yet. A lot of the digital magazines seem to just be about repurposing their print edition rather than offering me something different, something more suited to the availability of the information or the medium on which I'm consuming. I want the editorial quality of a monthly/weekly publication, but with timely extras - a breaking news section which refreshes every time I open my magazine for instance. This shouldn't be difficult to achieve, this is, effectively, what the web sites for such magazines provide (I'm thinking of wired here and how frequently I consume articles from their iphone news app). I'm not sure that home-printing is the solution to this particular itch (is it the solution to any itch?)

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Article: Lytro Light Field Camera first look with Ren Ng: Digital Photography Review

'We worked really hard to create an iconic design that really conveys the idea that this is "camera 3.0",' he says: 'We really wanted, in the industrial design, for form to follow function.' And, while we've not used it enough to say how functional its form is, the result is a device that, unlike many cameras, doesn't have any film-era roots to its design.

and

'It's very easy to get caught up in the specs of a device, but cameras are devices for taking pictures and sharing stories. We want to make the picture that is most meaningful. If people are sharing their images on Facebook, they're not using all those megapixels.'

I found myself nodding along to a lot of this article, and I'm interested to see where this goes. Like I said last time I posted about this camera earlier it's pleasant to see someone going back to basics and not being tied to a design that was influenced by earlier technology

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In praise of… short novels | Editorial | Comment is free | The Guardian

As Mr Barnes pointed out, if the physical book is to resist the challenge from the ebook, attention to the former's aesthetic factors should be taken seriously. Size is part of this. The pleasures of the Kindle, for example, are inextricably linked to its convenient size. Authors should take note. The 1,000-page blockbuster or the door-stopping biography work better as ebooks than in printed form. For the physical book, therefore, the future is surely shorter.

My kindle is the same size and weight regardless of whether it contains 1000 books, or just one small article.

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Article: Text of Steve Jobs' Commencement address (2005)

No one wants to die. Even people who want to go to heaven don’t want to die to get there. And yet death is the destination we all share. No one has ever escaped it. And that is as it should be, because Death is very likely the single best invention of Life. It is Life’s change agent. It clears out the old to make way for the new. Right now the new is you, but someday not too long from now, you will gradually become the old and be cleared away. Sorry to be so dramatic, but it is quite true.

Your time is limited, so don’t waste it living someone else’s life. Don’t be trapped by dogma — which is living with the results of other people’s thinking. Don’t let the noise of others’ opinions drown out your own inner voice. And most important, have the courage to follow your heart and intuition. They somehow already know what you truly want to become. Everything else is secondary.

(via http://news.stanford.edu/news/2005/june15/jobs-061505.html)

I know, often quoted over the last couple of weeks, but well worth reading again

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Robot mimics human handwriting flow

Researchers have developed robots that can imitate human movements when it comes to actions such as handwriting or reaching for objects in a bid to make it easier for humans to predict their behaviour.
via wired

So 42 US states have stopped teaching kids to do joined up writing and yet it is an important enough skill to invest the time in teaching robots how to do it. Sigh!

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